![]() Obstacles often originate from an antagonist and are central to a narrative conflict. (page 129)Įvents, circumstances, and actions that impede a protagonist’s pursuit of the goal. (page 128)Īn outwardly unsympathetic protagonist pursuing a morally objectionable or otherwise undesirable goal. Flat characters do not change significantly as the story progresses. (page 127)Ī relatively uncomplicated character exhibiting few distinct traits. Round characters often develop over the course of a story. (page 127)Ī complex character possessing numerous, subtle, repressed, or contradictory traits. (page 127)Ī narratively significant objective pursued by the protagonist. Characters can be flat or round major, minor, or marginal protagonists or antagonists. (page 127)Īn essential element of film narrative any of the beings who play functional roles within the plot, either acting or being acted on. Stories in narrative films may be wholly imaginary or based on true occurrences, and they may be realistic, unrealistic, or both. A movie that tells a story-with characters, places, and events-that is conceived in the mind of the film’s creator. For example, restricted narration reveals information to the audience only as a specific character learns of it. Providing a view from the perspective of a single character. Providing a third-person view of all aspects of a movie’s action or characters. Narration delivered from outside of the diegesis by a narrator who is not a character in the movie. (page 123)Ī form of narration in which an on-screen character looks and speaks directly to the audience. Compare first-person narration and third-person narration. It can come from many sources, including a third person (who is not a character) bringing us up-to-date, a first-person narrator commenting on the action, or, in a nonfiction film, a commentator. Narration heard concurrently and over a scene but not synchronized to any character who may be talking on the screen. Narration by an actual character in the movie. When referring to the more specific action of voice-narration, the narrator may be either a character in the movie (a first-person narrator) or a person who is not a character (an omniscient narrator). ![]() ![]() The primary narrator in cinema is the camera, which narrates the film by showing us events in the movie’s narrative. When spoken by a character within the movie, the commentary is first-person narration. When that commentary is not spoken by one of the characters in the movie, it is omniscient. When the word“ narration” is used to refer more narrowly to spoken narration, the reference is to commentary spoken by either an offscreen or on-screen voice. The primary source of a movie’s narration is the camera, which narrates the story by showing us the events of the narrative on-screen. The act of telling the story of the film.
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